Edward Yang’s Taipei Stories

March 1–May 11, 2024

Replete with new restorations, Edward Yang’s Taipei Stories offers the opportunity to see all seven of the director’s brilliantly constructed, emotionally resonant films—cornerstones of the Taiwanese New Wave with enduring universal appeal.

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  • Yi Yi

  • A Confucian Confusion

  • A Brighter Summer Day

  • That Day, on the Beach

  • Upcoming
    Films
  • Past
    Films
  • Past
    Events

Upcoming Films

  • That Day, on the Beach

    Edward Yang
    Taiwan, 1983

    New Digital Restoration

    Friday, May 3 7 PM

    Two successful career women meet by chance and flash back to their pasts and paths—and those of Taiwan in the 1980s—in Edward Yang’s first feature, which also marked the debut of legendary cinematographer Christopher Doyle. Sylvia Chang stars.

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  • Yi Yi

    Edward Yang
    Taiwan, 2000
    Sunday, May 5 5:30 PM

    A wedding and a wake bookend Edward Yang’s look at a year in the life of one multigenerational middle-class family in Taipei. “The work of a master in full command of the resources of his art” (New York Times). Released in 2000, it was still named to many Best Films of the 2000s lists.

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    SOLD OUT
  • A Brighter Summer Day

    Edward Yang
    Taiwan, 1991
    Saturday, May 11 5:30 PM

    Gangsters, musicians, lovers, and street punks populate the gorgeous frames of Edward Yang’s portrait of coming of age—or trying to—in the politically charged Taiwan of the 1960s. Yang’s—and Taiwanese cinema’s—version of such epoch-defining films as The Godfather or 1900.

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Past Films

  • Yi Yi

    • Saturday, April 20 7 PM
    Edward Yang
    Taiwan, 2000

    A wedding and a wake bookend Edward Yang’s look at a year in the life of one multigenerational middle-class family in Taipei. “The work of a master in full command of the resources of his art” (New York Times). Released in 2000, it was still named to many Best Films of the 2000s lists.

  • Mahjong

    • Saturday, April 6 4 PM
    Edward Yang
    Taiwan, 1996

    New Digital Restoration

    An assortment of half-assed young tough guys, British carpetbaggers, and mob enforcers flitter about a Taipei nightspot in Edward Yang’s almost screwball takedown of the blinding hunt for modern riches. “A jaundiced love letter to late ’90s Taipei” (Film at Lincoln Center).

    Introduced by Weihong Bao

  • A Confucian Confusion

    • Wednesday, March 27 7 PM
    Edward Yang
    Taiwan, 1994

    New Digital Restoration

    A gaggle of Taipei yuppies chase cash value over Confucian values (unless those too can be monetized) in Edward Yang’s biting, ironic satire of the Taiwanese nouveau riche. A fascinating snapshot of Taiwan’s mid-1990s economic boom and a still timely takedown of the success obsessed.

  • A Brighter Summer Day

    • Saturday, March 23 6 PM
    Edward Yang
    Taiwan, 1991

    Gangsters, musicians, lovers, and street punks populate the gorgeous frames of Edward Yang’s portrait of coming of age—or trying to—in the politically charged Taiwan of the 1960s. Yang’s—and Taiwanese cinema’s—version of such epoch-defining films as The Godfather or 1900.

  • Terrorizers

    • Friday, March 8 7 PM
    Edward Yang
    Taiwan, 1986

    New Digital Restoration

    Three groups of characters—a photographer, a hoodlum, and a doctor and his wife—are united by a prank phone call in Edward Yang’s self-reflexive look at human relationships and their emotional violence. “Yang’s ultimate statement on the isolation of modern living” (Film at Lincoln Center).

    Introduced by Andrew F. Jones

  • Taipei Story

    • Sunday, March 3 5:30 PM
    Edward Yang
    Taiwan, 1985

    Pop star Tsai Chin and director Hou Hsiao-hsien star in Edward Yang’s breakthrough work, a treatise on loves gone wrong, urban alienation, and sorrow within the bright lights of a mid-1980s Taipei caught between past and present.

    Introduced by Andrew F. Jones

  • That Day, on the Beach

    • Friday, March 1 7 PM
    Edward Yang
    Taiwan, 1983

    Two successful career women meet by chance and flash back to their pasts and paths—and those of Taiwan in the 1980s—in Edward Yang’s first feature, which also marked the debut of legendary cinematographer Christopher Doyle. Sylvia Chang stars.

    Introduced by Weihong Bao