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Everything Matters: Paul Kos, A Retrospective by Constance Lewallen, with essays by Charles Desmarais, Ron Meyers, and Rachel Teagle. Foreword by Kevin Consey.

Published on the occasion of a 2003 exhibition at the Berkeley Art Museum, this catalog is the first major volume on Paul Kos’s work. Born in 1942, Kos has been a highly influential artist in the Bay Area for well over three decades. In the late 1960s and early 1970s he was one of the major figures on the early Conceptual art scene, notable especially for his early experimental video works and seemingly simple but technically innovative sculptural installations, which generally featured evocative audio or video components. He was one of the first to incorporate video into interactive installations.




$35.00, paperback
140 pages, 74 color and 95 black-and-white illustrations
University of California, Berkeley Art Museum and Pacific Film Archive, 2003

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