Since its inception in Spring 1997, the Art, Technology and Culture Colloquium at UC Berkeley has presented numerous evening lectures from invited artist and media theorists. Through its international mailing list, web pages and posters, the series has established an international reputation for fostering intellectual dialogue at the intersection of Art, Technology, and Culture. Ken Goldberg (Professor, College of Engineering) initiated this lecture series with Kevin Radley (Art Practice).

Since 2001, BAM/PFA's Conversations program, in collaboration with the Art, Technology and Culture Colloquium, has been proud to produce and present this online video archive of Art, Technology and Culture Colloquium talks

These talks are available in both QuickTime video format, for watching online, and MP3 audio format, for downloading and listening offline.

---

Steve Kurtz, Artist, Critical Art Ensemble, Buffalo, New York Art and Discipline

Golan Levin, Artist and Associate Professor of Electronic Art, Carnegie Mellon University, Pittsburgh Looking at Looking at Looking

Naut Humon of Recombinant Media Labs, V. Vale of REsearch Publications, and Mark Pauline of Survival Research Labs Attention Depiction Disorders

Greg Lynn, Architect, Los Angeles/Vienna Giant Robot Architecture

Kristin Lucas, Artist, San Francisco If Lost Then Found

Yael Kanarek, Artist, New York And I was Both Tongues

Geert Lovink, Associate Professor of New Media, University of Amsterdam, Amsterdam, Netherlands New Media Art: In Search of the Cool Obscure

Bill Fontana, Artist, San Francisco Acoustic Simultaneity and the Sculpture of Sound

Trevor Paglen, Artist and Geographer, UC Berkeley, Berkeley, CA Blank Spots on a Map: State Secrecy and the Geography of Nowhere

Doug Aitken, Artist, LA Can You Say...2007?

Kaja Silverman, Professor of Rhetoric & Film, University of California, Berkeley The Twilight of Posterity

Matmos, Musicians and Sound Artists, San Francisco The Re-Dematerialization of the Art Object

Pierre Huyghe, Artist, Paris Time Score and Timing

Rudolf Frieling, Media Arts Curator, SFMOMA Stop Making Sense: Contextualizing Media Art

Jane McGonigal, Department of Performance Studies at UC Berkeley Why I Love Bees, or, A Massively-Scaled Ludic Worldview

Anne Wagner, University of California, Berkeley, Art History Video as Messenger

Sara Diamond, Banff New Media Institute Learning from the Animals: Code Zebra

Debra Solomon, Artist, Art Race in Space Ltd, Amsterdam Artist-Astronaut: What the Future Told Us

George Lewis, University of California, San Diego Secret Love: Between Interactivity & Improvisation

Leonard Shlain, San Francisco Art & Physics: Parallel Visions in Space, Time, and Light