Introduction
Robin L. Chandler
California Digital Library Digital
Content Coordinator & Manager of the Online Archive of California (OAC)
Diverse institutions such as libraries, archives, and museums may
collaborate because of shared values for use, preservation and education
of collections, or because collaboration is a well established means to
garner external funding. The Museums and the Online Archive of
California (MOAC; http://www.bampfa.berkeley.edu/moac/ ) collaboration
was partly formed for philanthropic and practical reasons, with the
specific goal to integrate access to collections of art, historical
artifacts, photography, and manuscripts from museums, archives, and
libraries throughout California. As a pilot project developed out of
and using the infrastructure of the Online Archive of California (OAC;
see http://www.oac.cdlib.org), MOAC sought to achieve this goal by
creating a standards-based and scaleable solution, which could
potentially allow every California museum to share collections with
libraries and archives online.
A core component of the California
Digital Library (CDL), the OAC is a digital information resource that
facilitates and provides access to materials such as manuscripts,
photographs and works of art held in over seventy libraries, archives
and museums across California. The OAC includes a searchable database
of Encoded Archival Description (EAD) guides or finding aids to primary
sources and associated digital content. Developed in 1995 at the UC
Berkeley Libraries, EAD is an XML/SGML document standard for encoding
and structuring archival description, which enables exchange,
federation, retrieval of finding aid information between institutions in
an online environment. Primary sources include letters, diaries,
manuscripts, legal and financial records, photographs and other
pictorial items, maps, architectural and engineering records, artwork,
scientific logbooks, electronic records, sound recordings, oral
histories artifacts and ephemera. Describing primary sources in detail,
finding aids are the guides and inventories to collections held in
archives, museums, libraries and historical societies. Finding aids
provide detailed descriptions of collections, their intellectual
organization and, at varying levels of analysis, of individual items in
the collections. Access to the finding aid is essential for
understanding the true content of a collection and for determining
whether it is likely to satisfy research needs. Currently, the OAC
comprises 7,339 finding aids and over 100,000 unique scanned images and
approximately 25,000 pages of electronic structured texts.
In 1997,
several California museums approached the CDL with the idea of forming
the MOAC collaboration to integrate access to collections of art,
historical artifacts, photography, and manuscripts from museums,
archives, and libraries throughout the state. Through the generous
support of the Institute for Museum Library Services (IMLS), the MOAC
collaboration addressed several goals: testing the use of EAD for museum
metadata to provide access to museum objects, integrating primary source
materials access across institution types (libraries, archives and
museums), and integrating item level description with collection level
description. Eight California institutions initiated the project
including UCB Berkeley Art Museum/Pacific Film Archive, Phoebe A. Hearst
Museum of Anthropology, Oakland Museum of California, UCLA Grunwald
Center for the Graphic Arts, UCR/California Museum of Photography, The
UCB Bancroft Library, UCLA Fowler Museum of Cultural History, Stanford
University Iris & B. Gerald Cantor Center for Visual Arts, and the
Japanese American National Museum. The following multi-part report will
present several perspectives outlining the successes of this
collaboration, including the project managerÕs description of
accomplishments and future plans for sustainability, technical
achievements (such as the development of a collection management tool
and best practices implementation as outlined by the projectÕs digital
media specialist), and narrative from the individual museum
collaboratorÕs implementing the work plan.
As a collection of museums,
libraries, and archives, MOAC represents a collaboration of institutions
with distinct missions, a spectrum of artifacts demanding different
methods of preservation and maintenance, and disparate descriptive
practice. For example, academic libraries and archives provide access
to collections of published and unique materials to support research and
teaching, create and sustain tools supporting bibliographic access for
learning activities, maintain the public bibliographic catalog based on
the MARC standard, and create unique catalog records providing access
points based on authority controlled subject headings. These
institutions also view the EAD standard as a means to create a union
catalog for a collection finding aids.
In contrast, museums provide
access to individual artifacts through interpretive exhibits curated by
subject specialists; museum exhibits are typically part of larger
educational programs leveraged by professional education director, and
museum artifacts are registered in a management catalog that is not
publicly accessible and does not require subject headings for controlled
access. For the museum community, a standard such as EAD represents a
means to exchange information with other communities or consortia.
Although operating under different professional mandates, MOAC
participants recognized the opportunities provided by digital
technology. The digital environment is an important means to concretize
values shared by libraries, archives and museums. In other words, at
their core, these diverse institutions believe that learning is built
upon the availability and use of primary resources. EAD - its
descriptive structure and established delivery mechanisms - provided a
bridge across the disparate professional practices of museums,
libraries, and archives. These diverse institutions quickly grasped
that learning could be made easier by providing access to finding aids
and primary sources through a shared online catalog such as the OAC.
Previously users only accessed and evaluated these materials through
painstaking travel to geographically distributed institutions.
From the
CDL perspective, the MOAC collaboration has been a very successful
enterprise. The diverse institutions participating in the OAC
(libraries, archives, and museums) are complemented and enhanced by
their unique practices and intellectual perspectives. Learning from
each other continues, specifically in the areas where each institution
type is strongest. Libraries and archives teach museums about the
benefits of publicly available bibliographic catalogs; the importance of
implementing data and content standards (such as standard vocabularies
and authority control); and best practices upon which those tools are
established. With their core mission of interpretation, museums teach
libraries about direct participation in educational activities and
through emphasis on the artifact, museums have provided leadership to
collection-minded archivists on how best to describe individual digital
objects. The IMLS funded MOAC II project (also funded by IMLS) is a
concrete example of how our collaborative learning process continues as
this effort seeks answers to questions about how digital content from
diverse institutions can be effectively chosen and presented online to
complement education for K-12 and undergraduate and graduate student
audiences. As we continue to build a critical mass of finding aids and
digital content, the museums, libraries, and archives of the OAC will
explore new avenues to better provide access to collection descriptions
and primary resources. The following report will provide an in-depth
examination of MOACÕs contributions to building the OACÕs foundation.
With this fruitful museum partnership, the OAC will continue to grow and
develop as a respected and valued access point for shared cultural
heritage.