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Today's Film Programs

Sunday, November 23, 2014
Discovering Georgian Cinema
6:30 p.m. Salt for Svanetia
Mikhail Kalatozov (USSR, 1930)
Discovering Georgian Cinema
8:00 p.m. A Nail in the Boot
Mikhail Kalatozov (USSR, 1930/1932)


Current Film Series

link image thumbnail Discovering Georgian Cinema
September 26 - April 19
Inspired by BAM/PFA’s significant holdings of Soviet Georgian films, Discovering Georgian Cinema explores the rich cinematic tradition that has emerged from this distinctive cultural milieu during the past century. Including over fifty programs presented over seven months, this series offers multiple opportunities to encounter an impressive range of stylistic approaches and thematic concerns, as well as lyrical depictions of Georgia’s spectacular landscape.


link image thumbnail Also Like Life: The Films of Hou Hsiao-hsien
October 10 - December 14
We are pleased to present a retrospective of the work of Hou Hsiao-hsien, “the world’s greatest working narrative filmmaker” (J. Hoberman), who first came to prominence as a key figure of the New Taiwan Cinema movement of the 1980s. Our series begins in October with Hou’s early works, including screenings of his first three, extremely rare commercial films. The series continues through mid-December, with such acclaimed titles as Dust in the Wind, Flowers of Shanghai, and Café Lumière.


link image thumbnail I’m Weiwei: Activism, Free Expression, Human Rights
November 2 - December 11
A series in solidarity, I’m Weiwei addresses many of the issues that confront the great Chinese artist Ai Weiwei—basic human rights, free expression, incarceration, abuses of state power. Innovative documentaries offer portraits of men and women who have found themselves actively engaged, whether in response to unexpected circumstance or as a result of a calculated allegiance to a cause. Includes Ai’s newest film, Ai Weiwei's Appeal ¥15,220,910.50, and special guests in person at most screenings.


link image thumbnail Jean-Luc Godard: Expect Everything from Cinema
November 8 - December 13
Godard’s films from the 1980s, the focus of this installment in our ongoing retrospective, mark a (relative) return to narrative. Genres from slapstick to detective stories are mined, juxtaposition and fragmentation are enlisted, and sound and image angle for supremacy. Ultimately, though, Godard continues to interrogate what cinema means to him. "The(se) films . . . are arguably deeper, more technically accomplished, and more daring than the early ones" (Richard Brody, The New Yorker).